Qsc plx 3402 settings for dbx driverack 260
- #QSC PLX 3402 SETTINGS FOR DBX DRIVERACK 260 PROFESSIONAL#
- #QSC PLX 3402 SETTINGS FOR DBX DRIVERACK 260 SERIES#
and 13" deep chassis fits into any rack, Class H output reduces AC power draw and heat by 40% 2402. Exclusive PowerLight power supply for superior bass and lighter weight, Ultra-low distortion(0.03% THD at 8 ohms) studio-quality noise floor(107 dB) LED indicators include bridge mono and parallel input modes, Compact 2 RU.
#QSC PLX 3402 SETTINGS FOR DBX DRIVERACK 260 PROFESSIONAL#
PLXs offer the reliability of a company that's been building professional amplifiers for over 30 years. To keep PLX running under the most demanding conditions, we've even added our Advanced Thermal Management System. It also features hum-free noise floor and ultra-low distortion of 0.03% THD.
#QSC PLX 3402 SETTINGS FOR DBX DRIVERACK 260 SERIES#
We included our exclusive PowerLight® Technology used in our award-winning PowerLight Series for chest-pounding bass and crystal-clear highs. Up to 3.400 watts in a 2 rack-unit chassis that's only 13" deep and 21 lbs. Below is some manufacturer's info: A line of amplifiers that defines high impact. Shipping is $30 to anywhere in the Continental US. Check my feedback and buy with confidence. It has binding post outputs and Speakon ® twist lock outputs. The CD is a CD burned by me, not a factory CD) The face of each amp is g ood. It comes with a power cord and a CD with User's Manual. It has a lot of scratches on the top and bottom from installation/removal from the rack and the back of the case is bent a little but it works great. This amp has been fully tested and is in perfect working order.
Much more productive use of the cash.Up for sale is a good condition used QSC PLX 3402 Power Amplifier. I'd probably advise using the money for something else, like putting it towards a DR260 instead of the DRPA. And you've got a feedback killer in the driverack that'll handle this if you set it up.Īnyway, yup, you can definitely use another EQ if you feel the mixer's channel EQ is inadequate to the task of tone shaping. And you shouldn't run the system that close to the point of feedback. I disagree with this.you're adding complexity, a failure point, and have forgotten that the channel or main faders will work just as quickly. to change the tone of a channel or group.Īnother common use for another EQ on the same mix is folks who don't trust their ability to set the EQ for maximum GBF, and feel that the EQ offers a "quick" way to correct this in the event of feedback.
What you describe is possibly using EQ for two different purposes as a means of flattening response to increase gain before feedback (typical use of a driverack's EQ's) vs. If I were running sound from out front I might prefer separate components for the ease of changing things on the fly, but with my current band and set-up the driverack works great and sounds very good. Also, the feedback eliminator on the driverack seems to work quite well and be very transparent for tone. It has saved me much time in setting up and initial soundchecks, and I get quite a lot of complements on the overall sound. After that I just call up the program for that club every time we play there. Now, when I hit a new venue for the first time I do a basic room eq using the driverack's rta, and save the program to memory. I took the time to do an initial program on the Driverack for the cabs and amps I'm using. I run a pair of Yorkville PS210 subs and a pair of EV SX200 tops driven by a soundtech amp. I run sound from onstage, as it is next to impossible to find someone competent to run sound in these parts, much less the problems with club owners bitching about taking up the space for a board. I use a Driverack PA and am quite happy with it.